Tuesday, January 13, 2009

Arts Activists Gather in Chicago

Cultural producers from 18 cities visited Chicago during the mini-blizzard of January 9-11 to engage in a retreat around the arts and social change. This was an amazing group of artist-activists-educators who are working a wide range of community and political settings. The group met in the Co-Prosperity Sphere in Bridgeport. This was self-organized and not supported by any foundation or established cultural institution. Questions of politics, social change, civic engagement, economic critique, class and race privilege and the role of the arts in a post-Bush America were all raised and debated. How can this group of independent but loosely affiliated group of activists stay together and help one another? How can we work together and, at the same time, broaden our connections to the community and to people not currently being served by the economic and cultural infrastructure?


Tuesday, December 16, 2008

Artists Launch New Arts and Culture Magazine - Are They Nuts?

Proximity Magazine recently launched in Chicago. The 150 page plus, perfect bound, full color magazine was co-founded by Rachel and Ed Marszewski, who are serial creative entrepreneurs who've helped organize such projects as Lumpen Magazine, The Co-Prosperity Sphere, Version Festival, and the Select Media Festival.Only a bunch of artists would start a new art magazine in the throes of a recession. But someone has to do it. Because, sure -- the economy is receding and politics are rent, but cultural production in Chicago is surging yet again.

Shifts in management and curatorial duties at some of our major art centers and museums are bringing in more challenging and fresh work. The schools are filled to the brim, and expanding their enrollment. And even though many beloved art spaces have retired, there seems to be double the amount of new galleries and spaces replacing them. Perhaps most significantly, our spring art season, with its attendant fairs and festivals, will prove once again that Chicago is one happening place.

But who would know? Most of this mysterious art activity goes unrecorded. Maybe an art enthusiast has posted a few comments on a blog, or we read about a controversy in one of our weeklies.

That’s where we come in.

Our mission is to amplify discourse on local and global art ecologies. We hope to serve as a map of artists, collectives and alternative spaces to commercial galleries, museums and universities¬ as means of connecting and cultivating sustainable creative communities. Read the rest of the founding statement.

Monday, December 1, 2008

Grab This Widget

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Wednesday, November 19, 2008

Tom Moderates Panel on "Power of Creativity in Chicago"

Leadership Greater Chicago is a civic networking and leadership development organization, Founded in 1986, each year 35 up-and-coming business and nonprofit leaders are put together in a class to explore major issues of the Chicago region. Tom was a member of the Class of 1990. On November 18 he hosted a forum on "The Power of Creativity and Culture in the Chicago Region" at the Lookingglass Theatre in the Pumping Station at Water Tower Place.
From left to right: Rachel Kraft, Executive Director of Lookingglass Theatre; Rita Athas, Executive Director of World Business Chicago; Dr. Thomas Tirpak, Innovation Champion at Motorola; Tom Tresser.

Here are my opening remarks:

Good morning and thanks for attending Leadership Greater Chicago’s first program on creativity and culture. We’re going to look at how creativity and culture affect the Chicago region and its economy. We’ve got three great speakers for you and a creative environment in which to hear them.

Before we start I’d like to offer a few ideas to keep in the back – or front – of your mind…
Creativity and culture operates in a few distinct dimensions – it’s a heritage thing, it’s an economy thing and it’s a personal transformation thing…

Point #1 – Heritage – Would you believe that the establishment of this country was a daring act of design and innovation?

John Adams said this in an 1815 letter to Thomas Jefferson: "The War was no part of the Revolution...It was only an effect and consequence of it. The Revolution was in the minds of the people, and this was effected...years before a drop of blood was drawn at Lexington." America is truly a “work in progress” – a march of democratic creativity where more is possible, more is dreamed and more is done. In this marketplace of ideas, we are only supposed to care about what is in your heart and head and not about your pedigree or parentage (or who you sleep with or what you had for breakfast). That’s why 38 million who were not born here are in America right now. Creativity = opportunity = innovation = prosperity.

Which leads to Point #2 – Economic Prosperity. The Creative Economy is a major part of the U.S. and regional economic picture. Nationally, the core copyright industries in 2005 generated $1.4 trillion. That’s bigger than the chemical and related industries. Bigger than the motor vehicle and parts industries. Bigger than the aircraft and associated equipment industries. Bigger than the medicinal and pharmaceutical products industries.

According to Richard Florida, Director of the Martin Prosperity Institute and Professor of Business and Creativity at the Rotman School of Management, University of Toronto, there are over 38 million people in America who make their living from their creative work, this group represents about 30% of the labor force, but they account for 49% of wages earned.

In Illinois, in 2006 some 1.7 million people worked full time in what Florida has identified as creativity-related employment. That’s 30% of total employment. According to the Metro Chicago Information Center, that picture is similar for Chicago – where 1.3 million of those 1.7 million people are located.

But the presence or absence of creative people is much more than a head count.
There is such a thing as the Council on Competiveness in Washington, D.C. They’ve been working on a massive policy project for over four years – the National Innovation Initiative – and their report, “Innovate America” is pretty definitive. Their tagline for the entire project is “Innovate or abdicate” The CEO’s of 11 major U.S. companies and 8 research universities put their names to it and stated on the first page of this report: "RESOLVED...Innovation will be the single most important factor in determining America's success through the 21st century."

Pretty dramatic. Sounds like life or death.

Now to Point #3 – Creativity and personal development, which actually forms a feedback loop and circles back to Points #1 and #2.

How do we create an environment where every person can invent, create and contribute to their fullest potential?

Albert Einstein knew something about creativity and innovation. Have you heard one of his most repeated quotes? "Imagination is more important than knowledge." What could he have meant by that? He certainly knew a lot. But the scientist and theorist who turned physics upside down and inside out imagined much, much more...

This celebrated quote comes from an interview Einstein did for the Saturday Evening Post, October 26, 1929. He said,

"If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music...I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge in limited. Imagination encircles the world."

My friends – my fellow Chicago leaders - Listen to Albert. Dream big dreams. Imagination comes before the great breakthroughs.

Imagination comes before the next cure of an "incurable" disease. Imagination comes before the next “killer ap” that will have us waiting in line at the Apple store. Imagination comes before the next beautiful song that will make you weep or make you dance. Imagination is America’s number one energy source. It has been since the founding. It is inexhaustible and forever renewable. But we can waste it and we can ignore out. Our job – it seems to me – is to expand, accelerate, levitate and celebrate Chicago’s imaginative resources.

Here is Tom Tirpak's presentation:

Tirpak Lgc Presentation
View SlideShare presentation or Upload your own.

Wednesday, October 29, 2008

Whose Values Count?

Election eve thought on the role of artists in public life...

There's a lot of talk in the press about "value" and "values." Value in the sense of "what is something worth" in economic terms and "whose values guides the politics and policies that decide what something is worth?" It seems that the financial and general press is learning something that we knew all along - that not everything with a big price tag is"worth" a lot of money and things that seemingly have no value on the stock market really do have tremendous value and meaning. What drives creative people to create and what is the "value" of what they create is worthy of study here. Lewis Hyde wrote "The Gift - Creativity and the Artist in the Modern World" in 1979 and he was on to something when quotes Joseph Conrad - "The artist appeals to that part of our being...which is a gift and not an acquisition - and, therefore, more permanently enduring." and then goes on to say "The art that matters to us - which moves the heart, or revives the soul, or delights the senses, or offers courage for living, however we choose to describe the experience - that work is received by us as a gift is received....The spirit of an artist's gifts can wake our own. The work appeals, as Joseph Conrad says, to a part of our being which is itself a gift and not an acquisition." This resonates with arts marketing studies by large foundations and hard-working consultants who endeavor to guide the arts industry in making a stronger case for itself with the public and politicians. These studies discount the economic impact of the arts and revive a conversation about the intrinsic value of the arts and creativity that, while hard to measure, is the real distinctive power of the creative process. But the market place says we only measure what matters and that Wall Street experts and Blackberry punching M.B.A.s RALLY know how to assign value in this society. How's that been working? But this conversation about who gets to value what is a prelude to my real concern around "values" - namely that people who live and practice the creation and exchange of intrinsic value, America's artists and cultural workers, have been absent from the political discourse and so have been unable to transfer their values into governance. So if we are cringing that taxpayers will spend $750 billion to bail out Wall Street firms, banks and potentially General Motors. If we are livid if taxpayers spend $123 billion to bail out AIG and then it spent $440,000 on a lavish executive retreat. And if we just shrug our shoulders when we see that the National Endowment for the Arts is budgeted for a pathetic $145 million for 2008. (Don't even mention the estimated $3 trillion cost of the Iraq War). If these facts - these expressions of what America "values" don't jive with yours, then,
The fault, dear Brutus, lies not in our stars, but in ourselves if we are underlings.”

Sunday, October 26, 2008

Vote Like Your Life Depends On It


Wednesday, October 8, 2008

Tom's Book "America Needs You!" Hot Off The Press!

I've been working on this project since 1990! The book, "America Needs You! Why You Should Become a Creativity Champion," lays out the argument for creativity as a national value and why I think artists and creative professionals would make excellent local leaders. Buy the printed book for only $10.49 (plus shipping). OR YOU CAN DOWNLOAD THE TEXT FOR FREE!


Wednesday, October 1, 2008

"Creatives as Leaders" Workshop @ Allianbce for Artists Communities Conference

At the 2008 conference of the Alliance of Artists Communities in Seattle....

Creatives as Civic Leaders

Led by Thomas Tresser, consultant, producer, educator, and trainer on creativity and civic engagement, this workshop will explore the connection between one’s private or professional role as a creative or generative person and a civic identity and civic responsibility.

This workshop is open to the public. Artists, arts administrators, cultural leaders, and others are welcome to attend.

Saturday, November 15, 2008
9:00 - 10:30 am

Henry Art Gallery
University of Washington
15th Avenue NE and NE 41st Street
Seattle

Workshop fee: $30 - Click to register.

Thursday, July 17, 2008

Watch Tom's Mini-Presentations on iTunes U!


I'm teaching a new class for DePaul University's Distance Education Program - "Creative Tools for Social Change." As part of the material we made five short videos, including "Our Creative Heritage," "Introduction to the Creative Economy," and "Introduction to Community Organizing." You can view them here - and you don't even have to register for the class (iTunes software required)!

Wednesday, July 16, 2008

Join the New Creativity Champions Community

Join the new "Creativity Champions" Community at ning.com - the home of "do-it-yourself" social networks.


View my page on Creativity Champions

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Politics of Creativity

There are 38 million people working in creative industries in America. Creativity is one the key characteristics of the American spirit, economy and promise.
Read more...

Read the book - "America Needs You!
Why You Should Become
a Creativity Champion"

Read the book
"America Needs You!
Why You Should Become
a Creativity Champion"

America needs her artists, cultural workers and creative professionals to lead in the public sector! This book makes the case for creativity as a national value and the basis for a winning politics and explains why creative professionals have what it takes to lead and run for local public office. You're already a leader! Believe it.

Purchase the book from Lulu.com

Download the text for free!